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His active and decisive participation in Metroid earned him a return to the original NES, back in 2004, with Metroid: Zero Mission, a remake of the classic and simultaneously a game improved in different aspects, for GameBoy Advance.

The save system provides a more comfortable experience, but the classic is part of the bonus. But the mapping work, together with the character design, mainly of Samus Aran, the space bounty hunter who covers the game, fell to Yoshio Sakamoto, ensuring from then on a vital role in the development of the series. Hideki Kamiya started working for Capcom designing maps for the games before Mikami asked him to produce and later direct more complex productions. One of Mikami’s first works is precisely the mapping of Aladdin to the Super Famicom. Like so many classics of the eighties and early nineties, with two-dimensional worlds, the design of maps and the structure of the game were core tasks.

Produced by Gunpei Yokoi for NES in 1986 (the creator of Game Boy and Virtual Boy had also made Metroid II for Game Boy), Metroid is one of Nintendo’s classics and one of the games that contributed decisively to the Metroidvania genre, the other being The face of this coin is precisely the fantastic Castlevania Symphony of the Night, launched in 1997 for PlayStation, by the hand of Konami. Metroid: Zero Mission – Wii U Virtual Console